REVISTA DECADENTE #65

Cover:

Ref: FNZTAVRMC-PT#0228

Title + Issue Number

Details:: Opening this issue, Alice Geirinhas discusses A Vaca que Veio do Espaço ("The Cow That Came from Space"), a fanzine publishing collective active during the 1980s. The collective was run by Alice Geirinhas, João Fonte Santa and José da Fonseca, who, between 1986 and 1988, published the fanzines Facada Mortal, Joe Indio, Tom Sida Magazine and Grafpopzine.

O Antropoceno é uma Moda? ("Is the Anthropocene a Fashion Trend?") is a reflection by Ana Cristina Cachola and Xavier Almeida.

In Conversas Vadias ("Idle Conversations"), Gonçalo Duarte discusses public transport passes in Lisbon and the city's housing crisis.

Sreya explores the prospect of forming new friendships and their impact on old friends, from a virtual perspective, in Deixar a Música e Dedicar-me à Potaria ("Giving Up Music to Devote Myself to Pottery").

Ana Menta addresses issues surrounding the administration of justice and the role of judges.

Pete Sar puts forward several Ideias para a Neo-Decadência ("Ideas for Neo-Decadence"), including the subject of men using women's toilets.

In Luxação ("Dislocation"), Xavier Almeida recounts his early experiences of cycling in Lisbon.

Texts by Erradiador on the blog "My Nation Underground".

Details:: Opening this issue, Alice Geirinhas discusses A Vaca que Veio do Espaço ("The Cow That Came from Space"), a fanzine publishing collective active during the 1980s. The collective was run by Alice Geirinhas, João Fonte Santa and José da Fonseca, who, between 1986 and 1988, published the fanzines Facada Mortal, Joe Indio, Tom Sida Magazine and Grafpopzine.

O Antropoceno é uma Moda? ("Is the Anthropocene a Fashion Trend?") is a reflection by Ana Cristina Cachola and Xavier Almeida.

In Conversas Vadias ("Idle Conversations"), Gonçalo Duarte discusses public transport passes in Lisbon and the city's housing crisis.

Sreya explores the prospect of forming new friendships and their impact on old friends, from a virtual perspective, in Deixar a Música e Dedicar-me à Potaria ("Giving Up Music to Devote Myself to Pottery").

Ana Menta addresses issues surrounding the administration of justice and the role of judges.

Pete Sar puts forward several Ideias para a Neo-Decadência ("Ideas for Neo-Decadence"), including the subject of men using women's toilets.

In Luxação ("Dislocation"), Xavier Almeida recounts his early experiences of cycling in Lisbon.

Texts by Erradiador on the blog "My Nation Underground".