REVISTA DECADENTE #77

Cover:

Ref: FNZTAVRMC-PT#0233

Title + Issue Number

Details:: In the opening pages of this issue of Revista Decadente, Pachiclon presents a comic that takes a Pokémon hunter as its starting point to expose the entire system of virtual alienation. This is followed by an incendiary story by Santi, in which a stroke of good fortune ultimately slips through the protagonist's fingers.

Next comes a single-page comic by Bedbug addressing the proletarianisation of the world. Sar then provides a highly detailed explanation of everything we need to know about blockchain and NFTs.

The centre pages feature a mysterious work by Hetamoé, saturated with noise and accompanied by English texts that are often illegible, yet convey emotions that reverberate with overwhelming intensity.

Approaching comics through dark, oil-black tones, André Lemos invokes inverted forms of magic under the ghostly auspices of Julião Sarmento.

Virus for Promotional Use Only, by Muriel Bellini, presents a rhythmic sequence exploring the effects of the most notorious virus of recent times.

Alice Geirinhas contributes to the "Mulheres na B.D." ("Women in Comics") section, highlighting the work of Joana Estrela and Júlia Barata individually.

The issue concludes with an intricate illustration by José Haz and Xavier Almeida's comic Luxação ("Dislocation"), which explores the perplexities and frustrations of a regular cyclist navigating the streets of Lisbon.

Texts by Erradiador on the blog "My Nation Underground".

Details:: In the opening pages of this issue of Revista Decadente, Pachiclon presents a comic that takes a Pokémon hunter as its starting point to expose the entire system of virtual alienation. This is followed by an incendiary story by Santi, in which a stroke of good fortune ultimately slips through the protagonist's fingers.

Next comes a single-page comic by Bedbug addressing the proletarianisation of the world. Sar then provides a highly detailed explanation of everything we need to know about blockchain and NFTs.

The centre pages feature a mysterious work by Hetamoé, saturated with noise and accompanied by English texts that are often illegible, yet convey emotions that reverberate with overwhelming intensity.

Approaching comics through dark, oil-black tones, André Lemos invokes inverted forms of magic under the ghostly auspices of Julião Sarmento.

Virus for Promotional Use Only, by Muriel Bellini, presents a rhythmic sequence exploring the effects of the most notorious virus of recent times.

Alice Geirinhas contributes to the "Mulheres na B.D." ("Women in Comics") section, highlighting the work of Joana Estrela and Júlia Barata individually.

The issue concludes with an intricate illustration by José Haz and Xavier Almeida's comic Luxação ("Dislocation"), which explores the perplexities and frustrations of a regular cyclist navigating the streets of Lisbon.

Texts by Erradiador on the blog "My Nation Underground".